Ultramarine - A User's Guide (New Electronica)

After looking set for big things at the start of the decade, Ultramarine have been mysteriously off the radar for the past two years. Thankfully the new A Users Guide puts them right back on the map with 10 felxible, mixable tracks. The whole album is based around colourful, bouncy analogue instrumentalism, which peaks in tracks such as 'Zombie', the more percussive 'Ambush' and the appropriately titled 'Surfacing'.

For a band that pioneered the real-intstruments-meets-808s and 303s scam, there's a human vibe that seems to be missing from most of this new offering. So I'm just thankful for squashiness and maluiabilty of the sounds and syniths from analogue heaven that are much in evidence. A User's Guide hovveres largely around 108bpm, but when the pace chills out we enter new territory and find tracks like 'On The Brink' (perfect jazz trip hop) and '4U Version', a second take on the more upbeat 'Sucker 4U'. Across the album you'll hear snatches and snippets of themes - some audible and others more hiddem - which leave you wandering "where did I hear that before?". Ultramarine certainly have a magpie-like approach to creating their soundscapes. But every influence taken on board is so processed and mashed up that a unique feel and style just pours out as a result. 7/10


This review also published in: DJ magazine

Various - Invisible Soundtracks Macro 2 (Leaf)

The last installment of Invisible Soundtracks was certainly a highllight of last year for fans of dark trip hop and minimalist beats. Like clockwork, a new compilation arrives oine year on but this time the IS series has a more international flavour. Artists from around the globe have been commissioned for soundtrack pieces for imaginary films which are stiched together here making a whole greater than the sum of its parts.

Connouisseaurs of mellow vibes and the slow 'n' low regions of techno will be aware of several of the artists included here. Laika, Si Begg, To Rococo Rot and Fridge all put in an apearence. The best offering from these four big fish from a closely guarded backwater is definitely To Rococo Rot, who's Die Dinge Des Lebens is the only track on the album to be actually picked up for use in a forthcoming film. From the less well-known artists, Max Brennan stands out. His 'From The Temple To The Nile' is pure escapism - and a refreshing accoustic interlude. It's tracks like this that remind you how film soundtracks are more about emotion than any oter style of music. The steel cathedrals of Ian Eccles Smith's 'Driftnet' and the mixed up confusion of A Small Good Thing (whose Block was an overlooked highlight of 1997) are both well worth hearing. The films are invisible. These soundtracks are as real as it gets. 9/10


This review also published in: DJ magazine

Wax Doctor - Selected Works (R&S)

Who is the Wax Doctor? I wish I knew. I do know that this album is straight-and-to-the-point atmospheric funk, with a european air and all the 'sensibilities' of easy listening. Track one is instantly reminiscent of Curdoruy (but with a more programmed dancefloor direction). Pounding beats intro'd and outro'd with a shrill, dusky trumpet and jazz samples. Elsewhere, All I Need has some much needed vocal input, albeit threaded through as atmosphere into a track that takes a worrying five minutes to actually get off the ground. Others dont have this problem - thrree tracks in and the srum & bass betas are introduced to softcore effect. Imagine how an instrumental drum & bass De La Soul track might sound and you're half-way near 'Step'. 'Spectrum', on the other hand, keeps the beats uptempo, but has a much realer feel. With 'Heat', the signature atmospheric funk returns. Offshore Drift - the album's closer - combines all of the Wa Doctor's best moods and ideas into one velvet smooth piece of jazz jungle. 7/10


This review also published in: DJ magazine

Decal - Lo Lite (Ultramack)

Decal kept popping onto the decks last year as ones-to-watch with releases both on the Language and Leaf labels. Having supported such big-beat big-names as the Chemical Brothers and Leftfield, this duo are at the forefront of the rapidly expanding Dublin elecronica scene. As you'd expect, this is a ruffed-up album of blunted beats, but has an urban air and an accomplished calm that sets it apart from the plethora of other such 'bands' that are currently apperaring.

Various areas of beat and bass are actually explored here. 'Self Storage' and 'Snakehips' are relentless (but varied) big beat epics. 'Malk' and 'Pigeyes Gets Whacked' on the other hand are pure nineties-style electro. Decal also attempt some BPM variation with a couple of slower tracks, one of which works ('Zerostar'), the other of which ('Camoflage') doesn't.

Finally, with the album in its closing stages, some good old fashioned atmosphere is added to the scathing near-industrial beats. Something which is sadly lacking in much big beat and a major chunk of this LP. So thank goodness for 'Phunk City' and the album's finale, the freaky 'Iona'. 7/10


This review also published in: DJ magazine